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Netsuke at the Royal Festival Hall

The train is sighing and heaving and trees blur behind rain scratched windows. I'm drinking a hot take-away tea while reading a book 'Names for the Sea, Strangers in Iceland' by Sarah Moss. My fingers seem to take longer to thaw as I hold the book of ice. It was glorious sunshine yesterday. I'm heading back into the city of London as the clouds darken. The rain is persistent.

100 Miniature Masterpieces

The first and last stop is The Royal Festival Hall on the Southbank. It's too wet and too cold to keep trekking through puddles and be rain soaked without an umbrella or raincoat. I stay here to keep warm and dry. I was hoping to draw netsuke at the V&A today but instead I'm drawing from the book I bought yesterday at The British Museum. 'Netsuke 100 miniature masterpieces from Japan' by Noriko Tsuchiya. I flick through the book containing photographs of netsuke in human form, immortals, ghosts, masks, animals and manju. I am interested in the animals and pick out one of the oldest netsuke in the museum (about 1700). 'Elephant and man in the form of a seal'. The photograph of the netsuke is at least three times the size than an original netsuke making it so much easier to draw and kinder to the eyes. I don't have the option to turn the netsuke and view it from a different angle but I can take as long as I like as there is no time restriction here.

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Drawn with Music

I feel relaxed drawing the netsuke while listening to music on my headphones. The Royal Festival Hall is buzzing with people working and chatting and the music doesn't shut it out, it just softens the edges. A one-to-one language course is in full flow at the table behind me. A couple on the far table are in deep conversation with paint pots, brushes and paper and lunch all piled up together. A man sits with his smart phone, a woman with her lap-top. Two woman with pads of paper and paper cups also in deep discussion. Downstairs people are piled in the cafe. The rain continues to fall as I move on the 'Reclining Goat' by Kaigyokusai Masatsugu. Then 'Horse' - unsigned, 'Hare with Loquats' signed by Yamaguchi Okatomo and lastly 'Sleeping Cat' - unsigned.

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When I've finished I look back through the sketch book and compare drawings. These are much larger than the ones I drew at the British Museum. It will be fun to carve them and see how they print. I pack up my books step out into the rain and head for the tube.